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GANTZ ENGLISH DUB 2 SERIES
Anime enthusiasts, some though not all, have a tendency to view their favorite franchises through a rose-tinted lens of selective insularity, treating films and series as though they are islands in vast sea of media separate and whole unto themselves. While fans of the series have for the most part met these criticisms with expressions of disdain, such reactions do little to discredit the validity of Jiang’s arguments.
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Some critics, chief among them writer Karen Jiang through her incisive review for Variety, have taken aim at Gantz: O for what can be described as the film’s sexually reductionist and socially regressive depiction of its female characters. But damn if it isn’t cool to look at sometimes! Gantz: O has all the sophomoric drama and improvisational complexity of a child indiscriminately smashing action figures together while watching Saturday morning cartoons. At one point a gigantic neon-highlighted mecha brandishing a retractable katana duels with a massive minotaur crossed with a tarantula. Oku’s creature designs thrive through the film’s aesthetic, with grotesque ghouls, goblins and oddities stampeding across the screen before being atomized into a shallow pool of blood and giblets. The english dub is serviceable if often incongruent with the original Japanese voice acting, while the film’s stilted script at times yields a few choice lines of deliciously campy dialogue, such as in the case of the character of Hachiro Oka boasting that he was on his high school’s ping pong team before proceeding to bludgeon an alien into submission with a pair of oversized rock ’em sock ’em gauntlets, as if the former had any relationship to the latter. The plot, and by extension its core cast of characters, is negligible, with Gantz: O’s focus firmly fixated on the dizzying if shallow spectacle of its action sequences (of which there are many) and the scrupulous fidelity of its 3D animation. What starts out as an inexplicable tragedy quickly transforms into what in all honesty could be described as a hyper-violent game of BDSM-themed laser tag with super powers, with Masaru soon swiftly recruited by the sphere’s meek roster of human chess pieces before being whisked away to downtown Osaka to murder a horde of Japanese demons. Adapted from the series’ midpoint chapter, the film follows Masaru Katou, a selfless and well-intentioned high schooler who is brought back to life by the eponymous “Gantz” after being stabbed to death in a freak subway attack. The most noteworthy of Netflix’s recent acquisitions, however, is Gantz: O, making its first appearance on the streaming service following its English language debut at the Tokyo International Film Festival late last year.īased off of Hiroya Oku’s cult sci-fi action manga, Gantz: O follows a group of recently deceased people who have been seemingly resurrected by a mysterious black orb that charges them with the task of exterminating a host of shape-shifting aliens marauding across the island of Japan. Since our roundup list last September, the streaming service’s selection has only marginally improved in some respects, rotating out a handful of forgettable titles with a few films that could charitably be called improvements. As we’ve written before, Netflix isn’t exactly known for a robust catalogue of quality anime features to choose from.